Starting with modern masters such as Cézanne and
Matisse as his inspiration, Weissbort gradually moved backwards in time
to his final lodestars: Mantegna, Titian, and Vermeer.
Today, he works unremittingly, inspired by nature and
his exemplars, trying continuously to improve, exploring the infinite and
strenuous worlds of line, shape, tone, form and colour. He strives to combine
emotion and reason; all the elements alive and developing, in systems governed
by a visual logic that can be analysed and discussed.
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